Pink Wojaks are echoes from our ancestral consciousness, it is not a coincidence.
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This is not a joke. The idea of the subject being completely destroyed by that which it observes, of being brought to its mental knees by the totality of modernity, is nothing new.pic.twitter.com/PPwRWU3DFF
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The horrors of the World Wars produced similar art. What sets the wojak aside is that it is infinitely reproducible, able to be remade and reshaped ad nauseam.
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The horrors of our era are similarly unbounded. There will be no end to the shapes degeneracy will take for our generation, just as there will be no inch of our psyche that will be left unharmed.pic.twitter.com/4l41GzqipY
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From “drag queens” at the age of 7 to transexual suicide rates, we are still only scratching the surface of what the future will bring us. There is no war of arms in our future, only a slow and steady slog to the bottom of the human soul.pic.twitter.com/ehlKRElOuw
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In short, there is no Great War, no great victory, and no great defeat. Only inch after ceded inch.pic.twitter.com/dEm6yj098c
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Replying to @doseofpercocets
Reminds me of Goya and his works during the Napoleonic invasion of Spain. Especially his later works he never meant to show entitled the "black paintings series".pic.twitter.com/zo9vWg8AtJ
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Replying to @giantgio
There’s an element of intersubjectivity to these works that the Pink Wojaks lack. The horror is communal, and articulated towards a clear and common evil. The PWs are the individual overcome with the totality of his or her life world.
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It is a total mental and even spiritual break with all that is external to the subject, the horror of life as experienced by a singular subject, fascinating!pic.twitter.com/9sPQ0tsphs
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