https://logosclubblog.com/2017/09/10/crappy-futures-or-musings-on-dystopian-cyperpunk-without-the-cool-stuff/ … I thought of you guys @Logo_Daedalus @weimerica when I was wrote this disjointed piece for @The_Logos_Club 


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My question is moreso why you claim the 90s was some final bastion of authenticity, and what your definition of authenticity originates from
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I think authenticity is a tricky term in art precisely because the inadequacy with the modern connotation ie. "express yourself". This is
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Important but not the only thing, art but be authentic when (to me) it speaks to higher culture, the spiritual in man if you will, do art
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Has and always should be in service to the metaphysical, at least in part, I do believe in the high/low art distinction.
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As for the 90s it could just be my nostalgia talking lol, but I feel it was the beginning of the end, there were still permitted smidgeons
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Of authentic expression left, or at least non-tangible aspects that were unique, now everything is just the same bland hipsterism.
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To counter the black pill in us all, that which is popularly available is not all that is. There is a landscape movement countering this
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As you mentioned. These artists can be supported and encouraged, and their work does exist, although it is not as widely disseminated.
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This is the issue that I had, specifically with urinal, and was unable to effectively articulate.pic.twitter.com/9YqVwcmalL
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The thesis that it is art without place, devoid of correlate, is incredibly strong. Explains it's commercial success and spiritual failure.
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Yes, but in eras past the Rich purchased art not simply as a monetary mechanism. It was a spiritual practice, a devotion to the higher.
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This explains koons monstrous take on art to a tee!
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