Telling this sort of story NOW, under these political conditions, is a no-win scenario at best and an irresponsible incitement at worst.
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Replying to @fozmeadows
This is the kind of story you cannot physically tell without hurting the people whose humanity it is most ostensibly meant to validate.
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Replying to @fozmeadows
With the best will in the world, no. A THOUSAND TIMES NO. It's a fucking red flag at all the armed, angry racists who WANT that world -
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Replying to @fozmeadows
- but who will likely spit, not fire, but ACTUAL GODDAMN BULLETS at seeing "their people" cast as the villains. Unless "their people" are -
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Replying to @fozmeadows
- so sympathetically cast that they take the show as vindication, and Christ, we DO NOT NEED THAT RIGHT NOW. NOBODY DOES.
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Replying to @fozmeadows
Stories are powerful, and political, and they exist within a fucking real-world context that can produce very real-world consequences.
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Replying to @fozmeadows
This is why the freedom to create stories is always, ALWAYS balanced against taking responsibility for their potential impact.
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Replying to @fozmeadows
This is why stories matter; why we bother arguing about banned books in schools and the importance of criticism; why SOCIAL TIMING MATTERS.
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Replying to @fozmeadows
Plenty of ppl with voices nearer to the issue than my own have discussed and will doubtless keep discussing this issue. LISTEN TO THEM.
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Replying to @fozmeadows
But the 2 cents I'd like particularly to add, to return to the question of the two Koreas, is the matter of alt-history worldbuilding.
1 reply 5 retweets 27 likes
Do you know how much recent global history is shaped by American intervention in overseas affairs? How much the US has meddled?
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Replying to @fozmeadows
If the world of Confederate takes place *during* a Third American Civil War, that implies a century or more of near-constant US conflict.
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Replying to @fozmeadows
If the Union has been fighting a bitter land-war on its own continent against an aggressive neighbour, how much meddling can they have done?
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