But as @halleluyang said, it's genuinely demoralising for queer & genderqueer writers to receive these sorts of comments.
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Replying to @fozmeadows
For me, it wasn't just personally upsetting; it made it actively difficult to trust the editor's judgement about certain parts of the book.
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Replying to @fozmeadows
Without wanting to go into detail, there were other comments made about the portrayal of PTSD & neurodivesrsity in the story, which - well.
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Replying to @fozmeadows
Put bluntly, the editor's comments suggested they did not understand these issues well enough to pass judgement on my execution of them.
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Replying to @fozmeadows
And these were parts of the book where I *really fucking badly* wanted feedback! I was nervous about getting it right! And yet.
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Replying to @fozmeadows
Okay, you know what? I'm actually still mad about this. I had a mental meltdown over these goddamn edits because of this stuff.
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Replying to @fozmeadows
Again: the editor also gave some good structural suggestions. But the other stuff made me feel like up was down; like I couldn't trust them
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Replying to @fozmeadows
Like. Without giving spoilers, it's pretty clear that an MC, by the end of book 1, is dealing with PTSD symptoms. Many reviews noted this!
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Replying to @fozmeadows
In book 2, I've also written them as having PTSD, one particular manifestation of which was queried by the editor as being anomalous. Viz:
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Replying to @fozmeadows
The comment: "a step too far... post traumatic stress disorder would be the subject of a whole novel, rather than just a small subplot." UM
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And I just. At that point I was reduced to PHYSICALLY YELLING, because how can I trust editorial feedback that misses CORE CHARACTERISATION?
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Replying to @fozmeadows
Telling me I've done a thing badly or inaccurately is one thing. Failing to identify THE THING THAT IS DEMONSTRABLY THERE, though?
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Replying to @fozmeadows
Hence my having a species of meltdown, because the cumulative effect of all these seemingly small queries was like being subtly gaslit.
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