Good morning, Twitter. This morning, I'd like to share some thoughts about tragedy as narrative compulsion in historically diverse stories.
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Or why we'll get Agora, with its tragic arc about Hypatia's death, instead of an uplifting drama about Agnodice's life and achievements.
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Hidden Figures - which I'm desperate to see - is a notable break in pattern, and also, not coincidentally, wildly successful.
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and why the film about Lili lied about her death to make the story seem more tragic.
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