Good morning, Twitter. This morning, I'd like to share some thoughts about tragedy as narrative compulsion in historically diverse stories.
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This is why, for instance, we're given a tragic film about Lili Elbe instead of a period spy thriller about the Chevalier d'Eon.
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Or why we'll get Agora, with its tragic arc about Hypatia's death, instead of an uplifting drama about Agnodice's life and achievements.
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