Good morning, Twitter. This morning, I'd like to share some thoughts about tragedy as narrative compulsion in historically diverse stories.
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The fact that films are more likely to be made about figures whose endings are tragic in the first place is a facet of the same problem.
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This is why, for instance, we're given a tragic film about Lili Elbe instead of a period spy thriller about the Chevalier d'Eon.
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