Every time Seok-woo acts similarly to Yon-suk, the film rebukes him via Su-an. When she gives up her seat to an elderly woman, Seok-woo tells her not to be so good to others in a crisis, to put herself first; she replies by comparing the woman to her granny, Seok-woo's mother.
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In the film's final scene, a shellshocked Su-an & Seong-kyeong stagger through a railway tunnel towards soldiers who, at a distance, cannot distinguish their shuffling from that of zombies. Their orders are to shoot them if they cannot verify their humanity.
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And then, through her sobs, Su-an finally finishes the song meant for her now-dead father - he told her early on to always finish what she starts - and the music, amplified by the tunnel, proves their humanity to the soldiers. Because you need *culture* to be human, too.
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