The film also rebukes those who obey others or act mindlessly, not only through the zombies themselves, but through Seok-woo's underlings - listed in his phone as lemmings - and the sheeplike actions of the conductor & other passengers who give in to Yon-suk's fearmongering.
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At the start of the film, Seok-woo is a distracted, divorced father, too busy at work to attend Su-an's class recital. He watches a video of her starting a song but failing to complete it. She later tells him she practised it for him and couldn't sing because he wasn't there.
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In the film's final scene, a shellshocked Su-an & Seong-kyeong stagger through a railway tunnel towards soldiers who, at a distance, cannot distinguish their shuffling from that of zombies. Their orders are to shoot them if they cannot verify their humanity.
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And then, through her sobs, Su-an finally finishes the song meant for her now-dead father - he told her early on to always finish what she starts - and the music, amplified by the tunnel, proves their humanity to the soldiers. Because you need *culture* to be human, too.
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