when your murderboyfriend tells you he just had sex with the girl you're going to killpic.twitter.com/suCZXmfQEK
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They don't remember to taunt her about Tatum; Sid only finds her dead by accident, after fleeing. If their plan had worked and they'd gotten away with killing Sid and her dad, looking like heroic survivors, why wouldn't Stu want Tatum there to comfort him?
Tatum's death, I would argue, is proof that Craven is playing with horror tropes without being fully aware of or invested in their misogyny: you can take that scene out of the film and absolutely nothing changes. It's there for shock and to throw us off Stu's trail: nothing more.
ANYWAY. That was fun! I might have to watch the sequel soon and livetweet it in turn. Some nights, you've just gotta watch a horror film and crush an obscene amount of mint choc chip ice cream while spouting commentary, y'know? FIN.
OH WAIT, FINAL POINT: I am COMPLETELY FREAKED OUT by how closely Murderboy Skeet Ulrich, aka Billy, resembles an evil, bizarro world version of absolute sweetheart hockey player Tyson Barrie. JUST LOOK AT THEM.pic.twitter.com/t3xEUGFCwP
FINAL FINAL ADDENDUM: It's been pointed out to me by multiple helpful persons that Craven was only the director, not the writer, so much of what I've attributed to Craven here is really down to Kevin Williamson. My bad! I stand by what I've said - I've just used the wrong name.
"Peer pressure"
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