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Jake Gyllenhaal is the central character of this decidedly weird but compelling fan edit by
@vampblr. It remixes footage from DEMOLITION into a sequel to a music video Gyllenhaal starred in, The Shoes' TIME TO DANCE (https://bit.ly/37T1ovY ). Find it here: https://vimeo.com/379012569 pic.twitter.com/WVGdNpOKkW
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If you want to explore the crossroads of architecture and film, then there are plenty of video essays that offer a great starting point. Here's a curated selection of worthwhile viewing: http://www.filmscalpel.com/architecture/ pic.twitter.com/7ogazeamup
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Short but interesting essay about using film to instill an appreciation for architecture in students. The University of Hartford has chosen for this interdisciplinary approach for the past few years: https://bit.ly/37RV3Bc pic.twitter.com/S1nzB0J2t3
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This brilliant video essay reimagines PLANET OF THE APES (1968) as an episode of the classic tv series THE TWILIGHT ZONE (1959-1964). It is revealing to see just how easily the theatrical movie is conformed to that television template: https://bit.ly/2u2Y2rV pic.twitter.com/la0YnkjgHR
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This brilliant video takes snippets from the bestselling game BATMAN: ARKHAM KNIGHT but it swaps the looks of the Batman and Catwoman characters. As a result, the overtly sexualized animation of the female character becomes apparent and laughable: https://bit.ly/31irfLk pic.twitter.com/zHHsXBfFIO
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Want more video essays that reference KOYAANISQATSI? This piece by
@danielmci1989 uses its chaotic hyperkinesis as a counterpoint for Chantal Akerman’s NEWS FROM HOME: http://filmscalpel.com/slow-motion/ pic.twitter.com/PMdsWxPM2q
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Was Koyaanisqatsi prescient or a rehash? Did it critique our neoliberal society or inadvertently enable it? This video essay by
@KyleKallgren puts the legacy of this feast of fast-motion in context: https://goo.gl/eV9PJc pic.twitter.com/D9k3XGXLVV
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Here's a similar project. KOYAANISTOCKSI recreates the trailer of the 1982 documentary using only stock footage procured from online image banks. It shows just how much Reggio's aesthetics were (commercially) appropriated by other image makers: https://bit.ly/36SS2iy pic.twitter.com/d8U1osztK5
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How easy is it to replicate Godfrey Reggio’s seminal documentary KOYAANISQATSI? This slightly irreverent project recreates the film's trailer using a random collage of GIFs that it harvests online. Watch GIFaanisqatsi and make your own version: https://bit.ly/396K6fn pic.twitter.com/O1O1Uz8YAj
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A speech like no other. To celebrate the 400th instalment of their BLOW UP video essay series,
@blowup_arte made a beautiful montage in which the images speak for themselves. Watch it here: https://bit.ly/2NYx0IN pic.twitter.com/x77GLsAiDo
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On this day in 1898, Sergei Eisenstein was born. That makes this a great day to watch these
@inTransitionCMS video essays. If you do, make sure to watch THE GLASS HOUSE. Eisenstein's father was an architect and the unmade THE GLASS HOUSE would have been a very architectural film.https://twitter.com/filmscalpel/status/1217466823211409408 …
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The second part of the video essay is particularly nice. It points out the many visual echoes of Japanese master Ozu's films in COLUMBUS (in composition, gestures and mise-en-scène). Though they seem to have missed the reference to Ozu's ubiquitous red tea pot...pic.twitter.com/hMbfTQjCmM
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Full circle. Kogonada started out as video essay trailblazer, then transitioned to directing feature films. His debut COLUMBUS is now the subject of video essays... This one from
@eamcinema looks at his compositional and thematic use of architecture: https://bit.ly/2tECLV9 pic.twitter.com/PQhJoCpiP5
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On this day in 1946, the world dreamt up David Lynch. He has been returning the favor ever since. Celebrate his birthday with this selection of video essays on his films and his dreams: http://www.filmscalpel.com/david-lynch/ pic.twitter.com/izB4Y4jxAA
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Wenders' THE STATE OF THINGS and Jarmusch' STRANGER THAN PARADISE are films that "shared the same bath water". This pleasantly roving video essay by
@lens_itself connects them - sometimes by free association, sometimes by mining their production histories: https://bit.ly/2TD15kN pic.twitter.com/RoRlLKcvzG
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Not included in the [in]Transition issue MONTAGE RELOADED, but related nonetheless, is this video essay by
@dualprojection. She uses TEN DAYS THAT SHOOK THE WORLD to clarify Eisenstein's ideas and to offer a personal interpretation of his film theory: https://bit.ly/2tja1kJ pic.twitter.com/fv9L0uUWy1
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If by now you're hung up on telephones and their role in film studies, try this video essay. TELEFONI NERI by Hannah Leiß delves into the significance of white and black phones in Italian cinema: https://bit.ly/2u7BBS0 pic.twitter.com/M9wMjVskSx
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In the same vein: I JUST GOT IMPEACHED FOR MAKING A VIDEO ESSAY ABOUT THE PERFECT TEXT MESSAGE! Again, not me.
@tonyszhou did however: https://bit.ly/2NyJVRs pic.twitter.com/lK5z56cgmR
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I JUST GOT IMPEACHED FOR MAKING A VIDEO ESSAY ABOUT THE PERFECT PHONE CALL! Well, I didn’t,
@LuisAFAzevedo did. Watch it here: https://bit.ly/38e9XBt pic.twitter.com/k2OmY29luM
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Here's a small selection of interesting VIDEO ESSAYS dedicated to CINEMATOGRAPHY. It contains no less than three great pieces by Patrick Keating: detailed and knowledgeable examinations of various examples of classic lighting. Be enlightened here: https://bit.ly/2tqTAml pic.twitter.com/ARERAOLUPD
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