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Synthesizing Kegan with any body-oriented view, or more generally with a framework that prioritizes specifics and situatedness seems likely to be productive.
The Kegan-Gendlin synthesis I'd like to see is roughly the thing you talk about in your comment here: https://drossbucket.wordpress.com/2019/02/26/book-review-the-eureka-factor/ … i.e. paying attention to 'the growing feeling that a creative project is going to work', and how to detect when a field/idea is promising
It vaguely puts me in mind of "The Knowledge Illusion" which has a bunch of discussion of how much of our cognition is not actually going on in our head but is moved out into the world via our bodies.
I don't know whether to recommend it or not. It was very helpful for me but that was partly a right place right time thing. It's not hard reading though.
Shortly before reading this tweet I glanced through the Gendlin wiki article and added the attached to the notes for the Eggplant’s “Feeling for an ontology” chapterpic.twitter.com/qCWl9vhi16
For me at least a lot of this is some kind of unarticulated felt sense that is always worth interrogating - it's surprisingly detailed/subtle compared to my verbal understanding. This is the main reason I started reading Focusing, actually.
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