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... the main thing I miss from that third 'beauty' strand is more like an extreme particularism. Vividly specific individual experiences are also really resistant to being coopted into power narratives, or aggregated into data...
But I think that's a genuine tension within that strand. E.g. this D.H. Lawrence essay on Whitman: https://www.berfrois.com/2018/09/d-h-lawrence-on-walt-whitman/ …pic.twitter.com/Uv9dfzRmIl
I think a big part of the shift can be summarized as the shift from criticism to critique, which instead of engaging with aesthetics and experience sought to uncover hidden agendas and structures of power
Rita Felski has some good stuff in this vein, about how infectious the suspicious affect of critique is, how it makes itself mandatory
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