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Elizabeth Goodspeed
@domesticetch
Independent designer, writer, trend spotter, & casual archivist (she/her)
Providence & NYCelizabethgoodspeed.comJoined January 2011

Elizabeth Goodspeed’s posts

I cannot believe no one told me that KITH ripped off Félix González-Torres's piece about his partner dying of AIDS for a drop celebrating ****the 60th anniversary of the X-Men franchise****
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Oh my god, I just found a gallery in Canada that sells original paintings used for the covers of 1980s and 90s romance novels for only $120—the way I NEED one
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Replying to
I doubt this was intentional, but I don’t think that makes it any better—still a massive oversight that no one thought of / knew either visually similar reference, both of which have important context and intense emotional meaning. Inept moodboarding or media illiteracy at best!
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At the risk of being insufferable with too many ongoing trend spots: I was looking at this rebrand again today and a lightbulb went off in my head that it actually includes a whole other resurgent design trope I hadn't noticed until now: ridiculously giant drop-shadows!!!!
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Replying to @domesticetch
Fanta rebrand leaning heavily into this illo style + a bunch of other zeitgeisty trends like wide angle perspective / imagery shot from below and macro photography 👀
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IMO a trend that's sort of related to this whole "apple keynote format as studio case study" is the rise of identity systems that actually bring traditional UX/UI elements (like pill shaped buttons) INTO branding so that product design + brand design feel more apples to apples
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The Design Agency Presentation Template in 2023:
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Really intrigued by the way that macro photography has totally taken over brand AD in the last year—I wonder how much of it is aesthetic (full bleed close ups feel high end + editorial) and how much is logistic (easier to shoot cheaply without a full studio setup, stylist, etc.)
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Where do folks go to look for emerging / more junior illustrators these days? I have a few fun editorial print projects right now with small-medium budgets and am really coming up dry! (Also: if YOU are an illustrator down for this kind of work feel free to drop a link!)
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Recipe pages designed and illustrated by a favorite of mine, Cipe Pineles, in the 1950s. Cipe was born to Orthodox Jewish parents in Vienna and went on to become art director at Glamour in the US (and later, at Seventeen)—making her the first woman AD at an American magazine!
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I collaborated with this year on a super fun rebrand for legacy sock (!!!) company Thorlo. The best part was getting to do my take on the ideal logo—huge, bold, and all caps (see: Ilford, Jil Sander, Ebbs, etc.)
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I've really been enjoying the work of Japanese painter and comic artist Tiger Tateishi recently—he has such an amazing grasp of color and a unique approach to what it means to make "sequential" art (discovered via the ever-excellent curation of !)
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Why would you do a semi throwback like this when the perfect packaging already exists, as-is, in your own archive!!!
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Pepsi this morning revealed a new logo and visual identity that executives say better reflects the brand’s boldness and energy, connection to pop culture and digital ambitions. adage.com/article/market
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Finally got around to taking some nice shots of Anyway, the tween mag I designed + creative directed this Fall! Photographed by Graham Pollack : ) We're working on the second issue right now and are always looking for collaborators—DM me if you have fun ideas for 8-12 y/os!
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Dipping my toes into the *~discourse~* to say that design "plagiarism" mostly feels like a product of late stage capitalism. It sure feels like no one is getting paid enough to do something truly original; clients often don’t see the difference or don’t care enough to pay for it!
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I typically avoid commenting on any big rebrands, but... the new Girl Scouts identity is not doing it for me! GS has such an amazingly rich visual history that seems to have been totally ignored in favor of a pretty generic + trendy approach (framing shapes, neon colors, etc.)
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Replying to
Mentioned below but to reiterate: 1) yes this title card style has existed forever in film, particularly in the 70s & 40s 2) what's *newer* is it being used for music videos too 3) what's **newest** is the composition/style being used as a meta advertisement in print + branding.
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Sorry to be a hater but I am not vibing with the new B*n Appet*t redesign—I think the ample white space + condensed serifs are trying to be ’60s / ’70s retro but instead it lands as very dated (dare I say Y2K Bazaar) to me. Apologies!!!
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Obsessed with Sunnei's Fall 2023 show last week where models walked off the edge of the runway and crowdsurfed—insanely cool IRL experience with the added artifact of insanely good campaign shots for the collection in one fell swoop
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So excited to announce my new zine, How To Live On Love, an exploration of type in mid-century erotic pulp fiction covers—created in collaboration with the wonderful folks at . Available for pre-order here: hightidenyc.com/shop/how-to-li 💜
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I've been practicing vector lettering over the last few years by tracing bonkers titles from old pulp romance novels. I've compiled a decent number and feel like it could be fun to "do" something with them—would people be interested in this as a... zine? Or something else?
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A new micro (hah) trend: miniatures!!! I feel like this could be seen as the nexus point between scenic backgrounds, trompe l'oeil, and monumental minimalism—a little silly, definitely eye-catching, and leaning into the larger surrealist zeitgeist.
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