I’m going to listen to all of Death of Klinghoffer but the opening chorus of exiled Palestinians offers a human but violently reductive reading of the Palestinian struggle.
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I wonder if American Jews recognize themselves more in “Your neighbor, the one who brought me in/she was brought up on stories of our love” than folks in the Palestinian diaspora recognize themselves in “the crescent moon” as a fixation?
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What would it be like to do a version of the chorus of exiled Palestinians about a white and/or European rage? Can we imagine white rage as a societal phenomenon, as a social sickness? Or is all whiteness individual, and everything nonwhite one match short of a mob?
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The ‘pass over’ reference in the libretto as a very confusing dramatic/dramaturgical status.
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