he ends the movie riding off into the sunset with the sympathetic main character. It is very clear that the film sees his moral stature as having improved over the course of the film. It is in fact the most significant change in character that any character in the film undergoes.
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OK but the literal factual ending is the racist cop, rendered sympathetic by his attempts to help the always-sympathetic main character, riding off into the distance with said main character.
And again, if your movie is only interested in police brutality as a way of suggesting that your white character is "fairly awful" and you have no interest whatsoever in the black victims of police brutality or introducing their perspective on this cop... your movie is racist.
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...literally where?
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