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Replying to @ActuallyNPH @nytimes
Here's the problem in simple terms: the racist cop gets redeemed, but his redemption has absolutely nothing to do with black people or atoning for his crimes against black people.
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This tells me the film isn't invested in black people beyond as a way to signal that a white character is Bad. In 2018, if police brutality/racism is just a lazy shorthand for bad person and you have no interest in the actual POC affected, that's... really bad.
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also if you find objecting to racism "angry" and "annoying"... that's really REALLY bad too. Even if you feel that way, surely you have the good sense and media training not to say it on twitter...
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The movie didn't redeem him though. He didn't get his job back and ended the film on a road trip to kill a guy. The movie wasn't saying he's a good guy now in the same way McDormand's character wasn't necessarily in the right. It's meant to be ambiguous and start discussion.
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Replying to @mightynifty @csilverandgold and
Yes! And I think it would have been too neat/unrealistic if he had changed in his racism. That was simply a part of his personality, and the film wasn't about that part. It should be ok to feature three-dimensional racist characters in *stories* just like any other sort.
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Replying to @AllesKlar71 @mightynifty and
Doing so doesn't mean the racism is OK, just that the story isn't simplistic.
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Replying to @AllesKlar71 @mightynifty and
k but do you get why today, in 2018, with police brutality all over the news, and all over our lives, we might be a little miffed that police brutality is treated as a minor background detail in the life of a sympathetic character?
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Replying to @csilverandgold @mightynifty and
Sure; and sometimes rape is a minor subplot and that hurts other people too... But (I'm half guessing here) I would think the character and the town as a whole reflected a realistic view of similar people/towns in your country.
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Replying to @AllesKlar71 @csilverandgold and
Not every film will sit comfortably with every group of people. Just like with books; there are a couple of great pieces of literature that I struggle to like because of sexism (that reflected the time they were written), but I respect the quality.
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which is great... if they were written hundreds of years ago. Three Billboards comes in the midst of a national conversation on police violence, and is utterly tone deaf to that convo. Where the works you're talking about were of their time, Three Billboards is behind its time.
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Replying to @csilverandgold @mightynifty and
Oh I'm talking 30 years ago, not hundreds... :-)
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