Old Judy sounds simultaneously like she could sing literally anything at any time and she had just enough voice for that last note.
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It's weirdly the inverse of Whitney Houston doing the delicate-as-glass head voice when you know she could singlehandedly defeat an army.
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I wonder if Old Whitney might have eventually found a place like Old Judy though, where she can do everything and it takes everything.
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Her thing was never effort though, it was always about everything being effortless.
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But I do think they had in a way similar takes on the voice as metaphor for femininity.
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Even in Over The Rainbow there's the sense that her voice knows more than the girl who sings with it.
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