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Shakespeare is all about the fiction of knowable interiorities (sometimes defending against their own knowable-ness c.f., Hamlet.)

This runs counter to the intellectual humility demanded by the identity left, the "if I have not been there, I ought not speak on it."

Shakespeare is premised on the transparency of psychology, that we can see the world through other people's eyes.

and indeed we can... if those "people" are persuasive fictions brought to life by talented artists/craftspeople + our complicit imaginations

But if those people are actual people, who experiences differ from ours... they are not transparent, they cannot be analyzed with our rubric