Shakespeare is all about the fiction of knowable interiorities (sometimes defending against their own knowable-ness c.f., Hamlet.)
But if those people are actual people, who experiences differ from ours... they are not transparent, they cannot be analyzed with our rubric
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IDPOL insists that experience places a limit on the knowable-ness of other selves, and thus on the ability to legislate past experience.
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Meanwhile, the Shakepeare-Freud genius of white/Western culture insists that other minds can be rendered transparent by language/analysis.
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