Shakespeare is all about the fiction of knowable interiorities (sometimes defending against their own knowable-ness c.f., Hamlet.)
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Shakespeare is premised on the transparency of psychology, that we can see the world through other people's eyes.
and indeed we can... if those "people" are persuasive fictions brought to life by talented artists/craftspeople + our complicit imaginations
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But if those people are actual people, who experiences differ from ours... they are not transparent, they cannot be analyzed with our rubric
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IDPOL insists that experience places a limit on the knowable-ness of other selves, and thus on the ability to legislate past experience.
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