Creative CapitalGeverifieerd account

#CCAwardee Wally Cardona presents a new dance, NEW MATERIAL, GIVEN, at @NewYorkLiveArts 6/29-30. The performance is free with RSVP!http://ow.ly/dVLD30kI8Hu 

How did #CCAwardee Branden Jacobs-Jenkins come to adapt THE OCTOROON, a "weirdly bizarre, offensive, but brilliant piece of theatre?" Check out this interview with the artist about his work now playing at @NationalTheatre in the UKhttp://ow.ly/phTJ30kHdJM 

Curious how to make your own residency? Through partnerships and entrepreneurial experience, @Neil_Ramsay has created several residencies that worked with corporate entities. Sign up for his online workshop 7/16http://ow.ly/r94k30kG7hx 

“We came here to be listeners, to be learners." #CCAwardees @Postcommodity traveled to Pittsburgh to create new work for the 57th annual Carnegie International, the oldest exhibition of contemporary art in North America.http://ow.ly/RJrH30kG9gA 

#CCAwardee Shaun Leonardo "has a reputation for sinking his teeth into contentious social issues," says @nytimes. He recently presented a performance that was a "nonverbal debate" on gun violence at the @Guggenheimhttp://ow.ly/IfPF30kG8Mi 

“We are in the middle of one of the largest mass migrations in human history...” #CCAwardee Kaneza Schaal collaborated on a new play CARTOGRAPHY that seeks to bring about greater understanding of the plight of refugees, says @TheNationalUAEhttp://ow.ly/XDbD30kG89C 

Some tips on choosing work samples when applying for grants: Documentation is key Get feedback from different people with a variety of knowledge about your work Work samples have an expiration datehttp://ow.ly/QVYR30kHb1K 

"In the era of fake news and alternative facts, and of people constructing their own custom-made versions of reality, Penny Lane’s The Pain of Others feels very timely." @FilmmakerMag interviewed #CCAwardee @lennypane about her new film THE PAIN OF OTHERShttp://ow.ly/KVdK30kG628 

"My work is about the long-term impact of slavery. We're not just dealing with the residue of systemic racism—it's the basis of every single thing we do." #CCAwardee Paul Rucker discusses his work in a @TEDTalks @blackcellisthttp://ow.ly/hXkR30kGLiN 

"What makes the artist’s tribute possible is the acquisition of thousands of images from Jet and Ebony." @TheEconomist writes about a new exhibition, BLACK MADONNA, by #CCAwardee Theaster Gateshttp://ow.ly/ZI1f30kG6Xd 

#CCAwardee Heather Dewey-Hagborg "lays bare the potential of biological surveillance with Stranger Visions, which I find to be especially chilling." An exhibition at Wei-Ling Contemporary in Malaysia explores the idea of public surveillancehttp://ow.ly/Fjaa30kG3L7 

Public art is the best way for new audiences to see your work. Lynn Basa leads our online workshop clarifying the process of finding commissions, and how the selection process works, happening 7/12http://ow.ly/aElm30kG7Ac 

Performing artists in New York should apply to @MabouMines's SUITE/Space residency. It comes with access to their new 99-seat theater, mentorship, a $3,000 stipend, and more! Deadline to apply: July 2http://ow.ly/AVuZ30kG3AJ 

Last chance to sign up for our Social Media for Artists online workshop led by Brad Stephenson, happening tonight! Brad will review major platforms with the goal of expanding your audience and communicating your work and ideas.http://ow.ly/OgSg30kEzxT 

.@BAM_Brooklyn's #BAMcinemaFest screens #CCAwardee @lennypane's new film THE PAIN OF OTHERS on 6/28. Using provocative found-footage, the film tells the story of a skin disease the medical community says is not real.http://ow.ly/di7x30kBwyO