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  1. Prikvačeni tweet

    my one and only resolution for 2020, and one i hope many people will join me in, is this: pick your heroes from the people close to you. draw inspiration from their rough edges and jagged brilliance. walk away from the mountains and monuments you built to far-off folks.

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  2. Keaton is almost worse at boats than they are at feelings.

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  3. And I’m also speechlessly thankful for , who willingly chose to become an important part of Keaton’s story (for some reason) and has surprised and delighted and touched me at every turn. It’s been SUCH a joy to tell this chapter!

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  4. And while everyone has been a joy and the audience is great, I’m feeling especially grateful for , who was game from day 1 to fully engage with this disaster child in an earnest, vulnerable, and ceaselessly kind way. Anyone who gets to play with Amr is truly lucky!

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  5. And it’s not just orneriness, I swear! Keaton as a character is a delightfully anime’d vehicle for a lot of questions and struggles very personal to me. Anyway. It means a lot that this terrible little teenage has-been has been so warmly received at our table.

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  6. i’m the worst kind of player because i will purposefully come to the table with the intent to find my favorite playbook and break it, but Chris has been extremely patient with me as I insist on roleplaying a....contest performer who refuses to do contests

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  7. i was lucky enough to be asked by to help test the game well before its public debut and i’ve pretty much been a vocal fan since day 1, but getting to be a part of its visible evolution in front of an audience has been something really lovely.

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  8. thinking this morning about and how unexpectedly fulfilled a goofy Pokémon RPG has helped me feel over the past few months

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  9. "high-energy thembo" is a string of words that just delivered and it means the world to me

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  10. If you go to Kenny Rogers Roasters are you just dropping in to see what condition that his chicken is in?

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  11. i wish you all could have seen my face when we finally finished the 3 hour chain of memories cutscene comp, closed out the game for good, and started 358/2 only for andrew to check his phone, cackle loudly, and inform me that it’s just another 3 hour film

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  12. GIVE! XION! A! SWORD!

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  13. 2. velj

    Are you ready to SPLIT THE ATOM?! Our new Gef the Mongoose shirt by is now available for pre-order! Follow the link below to reserve yours:

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  14. 2. velj

    would you let him into your town

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  15. 22. sij

    Hi, I’m Olive! I make a comedic LGBT webcomic called Rae the Doe. It’s become my full-time job, so if you have the means and like what I do, please consider pledging to my Patreon. It helps me pay for therapy, bills and transition-related expenses!

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  16. these aren’t the 6 best plays of any genre, and they aren’t even my top 6 plays, but they serve a purpose in giving you a crash course into what theatre has been and can be—and they’re all WILDLY different to read. i hope that helps!!

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  17. if i had to recommend 3 to fill this here’s where i might start: 1. A Midsummer Night’s Dream by William Shakespeare/A Doll’s House by Henrik Ibsen 2. Fences by August Wilson/The Last Days of Judas Iscariot by Stephen Adly Guirgis 3. Rhinoceros by Ionesco/Endgame by Beckett

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  18. 3. read something that totally breaks your brain and makes you question everything you learned from 1 and 2 because you need to realize theatre has no rules. you might hate this one. that’s okay. you still need to read at least one.

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  19. 2. someone somewhere has probably convinced you plays are an archaic, stiff, respectable art form. lies! theatre is relevant, timely, fresh, slang-filled—there are plays about everything, by everyone. read something new to help you understand you don’t need thous and thuses.

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  20. 1. you have to know the classics to understand how the form has evolved in context. but you definitely don’t have to know ALL of them. probably, you think on some level that this is what theatre has to be. you’re wrong, but you won’t know that until you read it firsthand.

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  21. but i know there’s no way to know which ones those will be unless you’re already familiar with some work, so here’s a slightly more helpful answer: 1. something classic/well-known 2. something contemporary/modern 3. something super weird here’s why:

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