Didn't matter if he broke it or someone else did; he was responsible for making sure no one got hurt.
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Replying to @alexandraerin
So when that Superman punches Doomsday hard enough to break every window within a mile, you know that it's real.
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Replying to @alexandraerin
The Death of Superman was still a Superman story, at its core. The no-holds-barred fight was contrasted with what we've seen before.
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Replying to @alexandraerin
Including earlier in that very same story, when Superman prioritized saving three people's lives over stopping the monster.
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Replying to @alexandraerin
It earned its impact in a way Zack Snyder's version didn't.
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Replying to @alexandraerin
To the world at large, Zack Snyder's Superman has *never* been the one who saves the day, always the one who rains death and destruction.
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Replying to @alexandraerin
The city-leveling no-holds-barred battle was not the climax of Superman's career in Man of Steel, but his debut.
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Replying to @alexandraerin
To put it shortly: a Superman story is not fundamentally about how he beats the bad guys. It's fundamentally about how he saves the day.
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Replying to @alexandraerin
Zack Snyder gave us a story that *looks* like the pivotal action sequences from the most iconic Superman stories.
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@alexandraerin yeah, it's a Hyperion story, and i'd be *so* up for a good Hyperion story, but it isn't one of those either
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