we focus far too much on technological advances and not nearly enough on aesthetic ones
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New affect? Or New channel through which amorphous affective energy flows? If the latter, it would explain the association certain artists have with certain affects (e.g. Kafkaesque, Shakespearean)
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In other words, they don't create the feeling, rather they become a more or less inimitable tool for its evocation But in what sense can we speak of advance here?
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