(If you want to look for linking emotional tissue between YA and WicDiv, it's stuff like this which you should be looking at. HISSING FAUNA YOU ARE THE DESTROYER is basically as WicDiv an album that exists.)
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GHOSTS - SIOBHÁN DONAGHY. Finally! An America track. Anything which has this kind of sound is me thinking about her home dimension. Ghosts is obviously a loaded word in the past-haunting-everyone story that is YA.
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OVERLOAD - SUGABABES. Heh. Shuffle is being playful. It's mainly mood board, but the second it played I thought "Kate" and I'm not quite sure why. It's mainly as classy-yet-poppy was very much her aesthetic.
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NA NA NA (NA NA NA NA) - MY CHEMICAL ROMANCE. Let's end with this one, at least for now. Fundamentally, YA was a comic that was quite at home standing on your property in a V formation.
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I WOULD FIX YOU - KENICKIE. Teddy, in all his Samwise Gamgee-esque glory. Man, I wish I still had the Belle & Sebastian-esque session version of this. Maybe I still do. Hard-drives are huge.
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THEN HE KISSED ME - THE CRYSTALS. Very much in our Noh-Var-ian Three Minute Symphonies To God mode. We talk about mood board, but we also talk about aesthetic aspiration mode. I mean, Billy and Teddy too, obv.
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HEAVEN - EMELI SANDE. The most Loki-ist Loki that ever Loked a Lok. Any lyric would do. "I wake with good intentions, but the day it always lasts too long. Then I'm gone." will do it.
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("You're not like me/I'm nothing like before" is obviously Loki, but also our YA generally.)
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212 - AZEALIA BANKS. Heh. Referenced explicitly in the first panel of our intro story - "I was on Earth-212" and America Chavez walks into our story, hitting as hard as this. And this? This is a fucking comics panel,
@McKelvie.pic.twitter.com/dilPbNtZ8T
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(Earth-212 was an Earth which solely consists of New York, stretching across the entire surface of the world, btw.)
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so, the Earth where the New York worldview was ontologically true
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