I love its visual aesthetic and the Tangerine Dream soundtrack. I'd say it's the stylistic quintessence of the era. However I'd argue that Friedkin's montage of protagonists assembling trucks in Sorcerer to the tune of TD "invented" this kind of style. But ofc all props to Mann.
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I see Friedkin and Mann like I see Coppola and Scorsese, both working in the same arena but bringing something distinct.
End of conversation
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