currently watching: (meet me at tech-noir. it's on pico.)pic.twitter.com/oCb7lzFkWe
I'm just an animal looking for a home. @Kotaku.
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currently watching: (meet me at tech-noir. it's on pico.)pic.twitter.com/oCb7lzFkWe
the unforgettable music plus the slow animation of the massive letters, simple but menacing, an excellent opening credits sequence. (also fuck yeah paul winfield!)pic.twitter.com/mubLIyOMt6
Fantastic shot of Los Angeles from the Observatory. And EARLY 80s PUNKS! The late Bill Paxton in a small early role; he'd work with Cameron again on (BARF!) True Lies, (meh) Titanic and (yay!) Aliens, of course.pic.twitter.com/pXe7hOgsks
I love the lighting in this back-alley pursuit sequence.pic.twitter.com/YQsu5ZI6GM
the film takes the time to give these two cops a bit of character, and it's so much better for it. (also like this little sight gag, with winfield's left hand out of frame until the payoff.)pic.twitter.com/oGUOkewctb
viene una tormenta you said it, kidpic.twitter.com/GcgcjisSZW
"You've got those sunglasses on and you're smilin' at everyone."pic.twitter.com/3Uh8r3RgAm
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