Callum Flack

@callumflack

Following tangents, finger-tip feeling, beauty, whitespace. Designer + web dev. Ps. Twitter is disembodied.

Cairns, Australia
Vrijeme pridruživanja: veljača 2009.

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  1. Prikvačeni tweet
    2. svi 2014.

    We did the soft wind. We danst slowly. We swrld Aroned. We danst soft. We lisin to the mozik. We danst to the mozik. We made personal space

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  2. prije 7 sati

    Thick with just-behind syncopation, sideways wails and far less three chords, more like one-note chimes sometimes, here's a mix of gospel 45s from a long while ago — downbeat after the first song til about 24:00, then it swings up —

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  3. prije 7 sati

    The software lens is an instrumental lens. "Software eating the world" is perhaps the ultimate machine metaphor of the age:

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  4. 1. velj

    Because information grows through human use, problem spaces have infinite depth. Always more problems. Always this is good.

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  5. 31. sij

    I like that tweet above because it hints at what McGilchrist defines in “Master & Emissary”: machine metaphors mean the Emissary is now in charge. The machine metaphor is the classic geometric analysis of the world, for instrumental purpose.

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  6. 31. sij

    So far this base idea branches off to how we see our brains, culture and nature (there’s not much left after that) as machines, computers or software.

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  7. 31. sij

    The machine thing has been a source of discontent since William Morris thru Walter Benjamin & Sontag. I don’t know it all so @ me with your coolest insights. Suffice to say the ultimate machine is a computer & its pervading our thinking:

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  8. 31. sij

    If we relate to the world through metaphor, then the predominant lens, at least on Twitter, is machine metaphors. Going to keep a list here ⤵️

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  9. 31. sij

    Hey dumb Q: is it possible to use your widget on a "headless" Shopify website?

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  10. proslijedio/la je Tweet
    28. sij

    small brain: the universe is a computer large brain: a computer is a gas

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  11. proslijedio/la je Tweet
    29. sij

    Beauty is a Schelling point.

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  12. proslijedio/la je Tweet
    26. sij

    In my new book Music, I show how the location of Lesbos—as gateway to Europe and a magnet for immigrants—is the real reason for its emergence as the birthplace for Sappho & Greek lyric. Musical innovations happen where outsiders arrive: in port cities & melting pot locales.

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  13. 26. sij

    …here we are now, entertain us… Definitely love the rip in this discussion. Hilarious last vestiges of Gonzo writing.

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  14. 26. sij

    3 pages in, no mention of psychedelics yet…

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  15. proslijedio/la je Tweet
    26. sij

    “Whatever happens to musicians will happen to everybody”

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  16. 26. sij

    “Whatever happens to musicians will happen to everybody”

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  17. 26. sij

    “build popular networks of response to the crisis. I say popular as distinct from government: it's clear that world governments are failing to respond, so it's up to the rest of us to address the problem.”

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  18. 26. sij

    “We need a project to manifest, again, the spirit of self-directed experimentation and adventure. A framework for the curious, discarding passive consumerism for active tinkering.”

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  19. 26. sij

    “The Whole Earth project was my most compelling influence as an adult. It brought me here, to the WELL, and it encouraged my eclectic, generalist mindset.”

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  20. 26. sij

    “You "innovate," and you either write down the experiment and close the lab, or else it turns into something commonplace that is no longer "innovative." That's what the calendar is all about. Don't cry if it's gone, rejoice that it was ever there.”

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  21. 26. sij

    The Maker at the crossroads is also the artist at the crossroads in this internet age: “that monetizable Youtube stunt is super-entertaining if you ask me, but it's not "making"”

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