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i am absolutely thrilled to be working on a new book for
@HachetteBooks, an alternate history of music told through grey area recordings, live tapes, bootlegs, mixes, & other secretly influential non-releases from the 19th century to the present. out in 2022... maybe?Thanks. Twitter will use this to make your timeline better. UndoUndo -
jesse jarnow Retweeted
THE COMPANY OF POETS INC. 04/23/1982
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review of the 1/24/71 seattle dead show from the
@EverettHerald: http://deadsources.blogspot.com/2012/07/january-24-1971-seattle-center-arena.html … and some memories of heads who saw the dead 50 years ago tonight in seattle...pic.twitter.com/5OEKzMFcRX
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pig on nixon: “that ol’ rat up in the white house/he knows he’s gonna die someday.” lays out his political philosophy: “don’t go pushing/but don’t get pushed.” lesh leads not-quite-segue into semi-frayed UNCLE JOHN’S BAND closer.
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garcia adds rare & typically awesome harmony to the “shine on me” part. NOT FADE AWAY slides into bliss bubble before segue. messiness in a few transitions but great overloaded lesh/garcia jams in GOOD LOVIN’ & then pig gets political, kinda. “just my opinion,” he repeats. [5/6]
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“we’re running short on time & so we’re going to wrap it up with this number,” weir says before 54-minute TURN ON YOUR LOVELIGHT > NOT FADE AWAY > GOIN’ DOWN THE ROAD FEELING BAD > LOVELIGHT > DRUMZ > GOOD LOVIN’, the last 2-drummer pigpen blow-out. [4/6]
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SUGAR MAGNOLIA solo getting bigger & bigger. “keep it down,” weir notes to his bandmates off-mic before SUNSHINE DAYDREAM, which they try to somewhat awkwardly. a development i missed on 12/28, though: garcia & lesh no longer sing the "doot doot-doot" vocal parts. [3/6]
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1/24/71 seattle: nice to have pigpen’s B3 in the mix during big openin’ TRUCKIN’. crowd hassles band during long tuning break: “get this fucking crap together.” weir: “in a minute!” garcia: “get it together yourself.” one long set, despite tape labeling. [2/6]
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50 years ago tonight, the grateful dead in seattle with ian & sylvia & the new riders of the purple sage. nice soundboard, with the big jam only coming into circulation in 2013. https://archive.org/details/gd1971-01-24.150274.sbd.miller.flac1644 … [1/6]pic.twitter.com/KnDhcSkd3V
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jesse jarnow Retweeted
An unusually wide-ranging but succinct new interview of me by
@MaxRaskin, focusing on music, the time I spoke with Jerry Garcia at length, one reason I enjoy hanging out with#autistic people, and the huge influence on my writing that no one ever notices.https://www.maxraskin.com/interviews/interview-with-steve-silberman …Thanks. Twitter will use this to make your timeline better. UndoUndo -
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jesse jarnow Retweeted
Filmmaker Al Jarnow created time-lapse, stop-motion and animation short films in the 1970s. Filmed from above in 1978, the stop-motion short Facial Recognition demonstrates image resolution as kids build images of a familiar face with more and more dots https://buff.ly/2KpnwVI pic.twitter.com/fQNhJTBwkg
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jesse jarnow Retweeted
If you don't have time to read "Manufacturing Consent" this will do in a pinchpic.twitter.com/eddqRN1EEj
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excited to hear the resulting private press LPs!https://twitter.com/kevin2kelly/status/1353372382858153985?s=19 …
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60 years ago today(ish), bob dylan makes his nyc debut.https://twitter.com/dylyricus/status/1353333858561904643?s=19 …
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jesse jarnow Retweeted
LISTENING TO ELECTRIC HERBIE HANCOCK BOOTLEGS, Day 1. We'll check out 7/21/71. Mwandishi in Nice, France. A 25-minute “You’ll Know When You Get There”! A deep-space journey on the way to “Ostinato”! Let’s listen together: https://m.youtube.com/watch?v=gEOmvo0Qg9c …pic.twitter.com/VCbQFMWyYq
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related question: anyone have a good term for sweet finds on discogs where the shipping is way more expensive than the record?
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