Start with Becca Rothfeld on James Wood's literary criticism: "SERIOUS NOTICING is two parts pan and twenty-six parts panegyric." @fsgbookshttp://bit.ly/36skasF
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TOPICS OF CONVERSATION (
@AAKnopf) “is a kind of essay on the intense pleasures and charged possibilities of talk—of conversation as performance and a means of unintended intimacy.”@meghanor reviews@mmpopkey’s debut:http://bit.ly/3aIPM0yPrikaži ovu nit -
“Can liberalism diagnose its own ills?”
@Richard__Beck considers three new books that try to parse the decline of American greatness.@AAKnopf@deystreet@macmillanUSAhttp://bit.ly/2TVU6UiPrikaži ovu nit -
“Greenwell’s sentences are long but hardly rambling; coiled and supple, they suggest the shape and movement of thought.”
@gumyoulike reads@GarthGreenwell's new novel, CLEANNESS (@fsgbooks): http://bit.ly/2GrodLd pic.twitter.com/iRO3j3fp2F
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“Whatever we do now—whatever we write, make, or build—has to mean something now, to the people who are here.” In our new issue, Christine Smallwood considers Jenny Offill's dystopian fiction, WEATHER (
@AAKnopf), and making art amid the climate crisis:http://bit.ly/2tXjP3XPrikaži ovu nit -
“Daum is so brilliant that I’m still shocked she hasn’t considered that congratulating yourself for toughness is much less important than making a world where toughness isn’t necessary.”
@EmilyGould on Meghan Daum's THE PROBLEM WITH EVERYTHING:http://bit.ly/30YGnxjPrikaži ovu nit
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"Like any respectable alum of The Atlantic, Douthat keeps Rome ever in mind, but like any American boy born in the second half of the twentieth century, his notions of creativity, warmth, and hope reside among the stars."
@xlorentzen reads Ross Douthat:http://bit.ly/312PYU8Prikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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"Gods pull rank; they’re movie executives. Carson is gesturing outward, almost offhandedly, the way an actor’s quick glance can demolish an entire imaginary wall."
@audreywollen on cinema and Anne Carson's NORMA JEANE BAKER OF TROY (@NewDirections):http://bit.ly/2RXKNAvPrikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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"Wasson’s deep, abiding nostalgia seeks to replicate Chinatown’s noirish feel, but without any of the film’s revisionist approach to genre." In our new issue,
@hamrahrama reads THE BIG GOODBYE, Sam Wasson's elegy for a mythic golden age of Hollywood:http://bit.ly/36BS12kPrikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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“Phoebe Waller-Bridge’s words have become a new kind of religious text, albeit one that preaches primarily to secular women living in major metropolitan areas.”
@rachsyme reads FLEABAG: THE SCRIPTURES (@randomhouse) in our new issue:http://bit.ly/2u0fVYePrikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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