DEAR SENTHURAN, THE DEATH OF VIVEK OJI, PET, FRESHWATER, CW: EVERYTHING (2022), YOU MADE A FOOL OF DEATH WITH YOUR BEAUTY (2022)
Adding a few more details to what I shared in this piece about writers and their literary agents for @TheCut! 
https://www.thecut.com/article/writers-on-finding-a-literary-agent.html …
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I will say that in the last years, I withdrew from my relationship with Binya because he was espousing harmful views I couldn’t support. Just want to hold space for that because I know people were harmed and that’s important to recognize.
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When it comes to agents, it’s a crucial step in this industry, especially for African writers. I could’ve passed through that workshop & had a different career trajectory without that introduction to Wylie.
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Freshwater went out bare weeks after I signed with Wylie, and to be honest, having an agent helped me drop out of my toxic MFA program because I knew my work would be safe. We sold FW within the year and the rest is, well, epic.
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And look, my first agents were genuinely wonderful & amazingly supportive, it’s just that they were smaller & I needed a behemoth. People have told me their gripes with Wylie and I’m like oh yes, they are absolutely sharks. So am I, though.
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The genius homie Katherine Agyemaa Agard reminded me that everyone has different desires for how their work should move, so find what fits you. If we’re acquainted and you’d like an introduction to Wylie, hit me up. I am terrible at response times but I do pay it forward.
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