A fun realization in this career is that you will have to defend the integrity of the work over and over and over and over again, insisting on your center while people try to force you into theirs.
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With FRESHWATER, the fight was to center that the story is about an ogbanje dealing with embodiment, that it is not a metaphor or conceit, that the Igbo ontology it’s based in is real, etc.
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With PET, much to my surprise, the issue was people claiming that a story centering a cherished Black trans girl in a world without prisons or police was...propaganda?! I’m lowkey still speechless about that.
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Imagining a better world where trans kids are loved and have access to the healthcare they need without question is...controversial?! Y’all really want us dead out here.
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With THE DEATH OF VIVEK OJI, I’ve known from the start what the fight is going to be. I won’t go into it in detail because spoilers, but I will say that you should read the book yourself because the attempts to warp its center is going to be a whole fucking thing.
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In general, there will be a few main issues. One of them is the desire to frame LGBTQ characters as repressed & suffering because it fits a particular annoying Western narrative around coming out. You are X and unhappy until you announce it and then voila! You live as X.
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This is not how shit actually works. Y’all want everything to be linear and binary, but it’s not. Assuming that an LGBTQ character’s struggle is immediately linked to their gender or sexuality is reductive and a poor reading.
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With Vivek, specifically, I will say that his major issue in the book is a spiritual one based in fictionalized Igbo ontology. Other than that, this nigga is at peace and figuring his shit out like every other human being.
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Like, goddamn. What I wouldn’t give for people to have the critical range for my work instead of slating it when the real issue is that they’ve actually failed to grasp some fundamental ass shit about marginalized communities along the way.
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DEAR SENTHURAN, THE DEATH OF VIVEK OJI, PET, FRESHWATER, CW: EVERYTHING (2022), YOU MADE A FOOL OF DEATH WITH YOUR BEAUTY (2022)