To be fair once the studio system kicked into high gear unique and artistic pictures became extremely rare for a few decades.
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I like that original division. Ideally it would allow both a popular hit and a smaller, more artistically aspirational one to win.
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I mean, I can't imagine trying to define those two things, so that's probably for the best.
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Which is weird because the award-bait "prestige" cliche is that those movies only play in big city "art-house" theaters that only 12 people watch contrast to high-impact "popcorn" movie that "everyone" but critics like ("It's not supposed to win Oscars")
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