Okay also I'll say this I'm a theatre geek There was a time in my life when reading new plays was my hobby I've read a LOT of artsy fartsy MFA writer workshop shit It's *not actually better* than schlock commercialized Save the Cat shit It's just *different*https://twitter.com/arthur_affect/status/1366225476662882307 …
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Which is part of Wanda's whole shtick, that she bounces back and forth between arch irony and aching earnestness just like the sitcoms she loves
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That Vision, for one thing, has a completely different energy and communication style than Pietro, who constantly hid his emotions behind his need to be an asshole at all times (which, because it was so consistent, Wanda could always see through)
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(Which was the whole deal with Fake Pietro He was trying to play this aspect of her real brother but he fucked up because he never drew a line around it because he isn't faking, he *really is* just an asshole Kind of a commentary on 2000s comedy falling down the irony hole)
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But anyway It is an intrinsic part of Wanda's character that she loves the old mawkish sentimentality of 1950s b/w sitcoms for start they are That's the whole premise Of course the man she fell in love with would be a guy who says Hallmark platitudes *and really means them*
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