Screenwriting isn't the same thing as poetry - it's certainly not the same thing as *written* poetry (as opposed to spoken word) A good line for the stage or the screen is not the same thing as a good line that still seems really cool and deep when written out in text
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(The best line I have ever personally heard about grief is not this line It's a line from something you've never heard of and it's just someone saying "Well... maybe he doesn't *want* to be happy")
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(By itself, it's not a very interesting line at all and *of course* the concept it's describing is extremely simple and obvious But as the final emotional beat in a scene it rattled me really hard I flash back to it when looking at my own self-sabotage all the time)
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