So like yeah it's not as harsh about how fucked up the Internet and twerking and so on are as it could be, as it *should* be It's using that as a stick to beat on Doucouré's actual childhood with (she grew up before all of that was really a thing, remember)
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"Oh, dressing up like a whore and selling my body on the Internet and shaming all my ancestors? Then I guess that's what it's gonna be" (This isn't literally how it happens in Cuties but it's really obvious this is the meta-narrative behind Doucouré making it play out this way)
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And, I mean, shit, I get it I literally wanted to become a Satanist for a brief period in my life because I was just so angry about what church had done to me, what it had stolen from me -- and that's as a boy, as a relative beneficiary of their sick system
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I don't think that's actually a universal narrative -- most of the other Cuties don't have Amy's backstory at all -- and I think the laser focus on it is potentially damaging, like it's true, the movie doesn't have nearly as much to say about sexualization as a general problem
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But what's there is very raw and real, even if you think the execution of the dance crew part of the movie is bad enough the movie as a whole shouldn't have been made
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(The one thing about Cuties that was most hashtag-relatable to my childhood wasn't any of the stuff about twerking, obviously, but the whole thing with Amy having to attend her father's second wedding, the dress just sitting there the whole time as this looming harbinger)
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(And the sense of liberation she feels when her mom tells her she can skip it, how all of a sudden the weight lifts and she realizes she doesn't want to be part of Cuties anymore either I should talk about my story with baptism sometime)
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End of conversation
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