Anyway the most sensible apocalyptic argument in the article is also the most speculative one No one actually believes paper books are going to start coming out with content locks on them where the book sets itself on fire after six weeks or whatever
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The article argues that as everything gets more digitized, paper books are on their way out entirely, and ebooks are the future, and therefore you might just never own a book in digital file form again and might rely on "Spotify for books" etc etc
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I agree that that is scary So is the opposite scenario, where because physical books just don't exist anymore, access control of anything doesn't exist anymore Anything that gets the least bit popular instantly becomes a freely shared PDF, all payment for writing is voluntary
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Either way, if that scenario happens, the "controlled digital lending" concept becomes a joke, it's unsustainable, it's a silly fiction If they stop printing physical books then your whole "I should be able to do anything I want with scans of a physical book" doctrine fails
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It's *already* pretty silly that IA claims to have like 100 copies of the same book locked up forever in a shipping container never to be touched again, to justify lending 100 copies of the same file Are they gonna keep printing books to put into crates in the Brave New World
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People are so mad over this because the basis of CDL is kind of obviously a bullshit stepping stone to what they actually want Like it's so obvious Brewster Kahle just doesn't like copyright period and he thinks a world where everything is free and authors work for tips is ideal
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The free culture side obviously wants this, it's their stated goal to just end copyright, period, people openly say it to your face constantly So yes it is frustrating trying to argue about the legal status quo of something like CDL and pretend we're not talking about that
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My position is a broadly "pro-copyright" position - I'm flexible on a lot of details but I think the idea of copyright is in and of itself a moral good and worth defending Which is a totally middle of the road position in the real world and on Twitter makes you a Nazi monster
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Replying to @arthur_affect
i admit, i am leery of this whole clusterfuck-feeling thing for a variety of reasons, one of them being i am not keen on making writing even more of a resource hole for the writers, even further entrenching it into a craft only able to be seriously pursued by the wealthy.
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Replying to @de_la_Nae @arthur_affect
perhaps i worry too much or incorrectly, and god knows it's a problem with the current system as is. but i can see how the end/weakening of copyright without also strengthening other radical avenues of support can cause... an issue
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Yes, my whole thing is I don't see the Internet's effect on the "culture industry" as being fundamentally different from its effect on workers in every other industry Which is to say, bad
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