In hindsight it kinda seems like putting Cuties on Netflix at all was objectively a mistake, and the people blaming Netflix's marketing department are probably wrong -- "better marketing" for the movie would've just been kicking the can down the road, this backlash was inevitable
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Critics have remarked many times that as a result "commercial film" and "art film" are completely different jobs, different art forms trying to succeed at different tasks I dunno if I'd go that far, but that's sure as hell why they're sold in different *markets*
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We are sort of floating free among all the competing ideas of history. Neoliberal hegemony pervades, but it's constantly upended at it's core, And each time the charade gets harder to play.
End of conversation
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