Chuck Wendig didn't cause this JFC If you don't think that publishers were aware of this issue until Chuck Wendig tweeted about it you're really, really not qualified to talk about ithttps://twitter.com/coopercooperco/status/1271420782133030913 …
Mad genius, comedian, actor, and freelance voiceover artist broadcasting from the distant shores of Lake Erie (he/him)
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Arthur Chu Retweeted fka ☕️
Chuck Wendig didn't cause this JFC If you don't think that publishers were aware of this issue until Chuck Wendig tweeted about it you're really, really not qualified to talk about ithttps://twitter.com/coopercooperco/status/1271420782133030913 …
Arthur Chu added,
He generated massive support against IA. He and his blue check mark clown friends. No one gave Metallica a pass going after Napster. This is the same thing. The IA does an important service to many and Chuck Wendig was a major voice in trying to bring it down even if not the 1st
Metallica actually sued Napster and won Chuck Wendig didn't do anything but post a tweet that happened to go viral (he is very far from the first famous person to say something about this) So no, this is not a fair comparison
Metallica sued Napster, lost half their fanbase and spent 20 years trying to rebuild their reputation. Lars is still universally disliked and file sharing is more prevalent than it ever was while the musicians finally realized pirates weren't the issue it was their record company
Yeah the narrative that fans are all extremely generous souls who *want* to give you lots of money but the evil publisher was always standing in their way preventing them is very popular with fans Less so with artists
Is that why artists have been increasingly successful on indiegogo, kickstarter, patreon and independent labels? Just because some authors assume people would be buying their books on droves it not for pirates doesn't make it so. If people really like your work, they support.
Haven't what? Supported you and your work? Your friends work? If that's the case I hate to break it to you but instead of blaming pirates maybe your work wasn't good enough to make some ok me go out of their way to support you.
If you're talking about the independent scene then how can you explain indiegogo campaigns or things like CyberFrog? How do you explain musical acts directly distributing through streaming and seeing more revenue without their labels taking a cut?
"How can working for tips be an awful way to make a living when I know this one bartender in San Francisco who bought a Mercedes off his tips one year Maybe all the other waitstaff complaining should just git gud"
Oops, he’s a comicsgator! (Nobody else on the planet is going to reference cyberfrog as a good thing ffs)
Yeah I mean what that actually proves is that the best way to make money in the digital economy is to grift off of culture war beefs, but hey for some people that's all upside
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