Chuck Wendig didn't cause this JFC If you don't think that publishers were aware of this issue until Chuck Wendig tweeted about it you're really, really not qualified to talk about ithttps://twitter.com/coopercooperco/status/1271420782133030913 …
Mad genius, comedian, actor, and freelance voiceover artist broadcasting from the distant shores of Lake Erie (he/him)
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Arthur Chu Retweeted fka ☕️
Chuck Wendig didn't cause this JFC If you don't think that publishers were aware of this issue until Chuck Wendig tweeted about it you're really, really not qualified to talk about ithttps://twitter.com/coopercooperco/status/1271420782133030913 …
Arthur Chu added,
He generated massive support against IA. He and his blue check mark clown friends. No one gave Metallica a pass going after Napster. This is the same thing. The IA does an important service to many and Chuck Wendig was a major voice in trying to bring it down even if not the 1st
Metallica actually sued Napster and won Chuck Wendig didn't do anything but post a tweet that happened to go viral (he is very far from the first famous person to say something about this) So no, this is not a fair comparison
Metallica sued Napster, lost half their fanbase and spent 20 years trying to rebuild their reputation. Lars is still universally disliked and file sharing is more prevalent than it ever was while the musicians finally realized pirates weren't the issue it was their record company
Yeah the narrative that fans are all extremely generous souls who *want* to give you lots of money but the evil publisher was always standing in their way preventing them is very popular with fans Less so with artists
Is that why artists have been increasingly successful on indiegogo, kickstarter, patreon and independent labels? Just because some authors assume people would be buying their books on droves it not for pirates doesn't make it so. If people really like your work, they support.
I mean yeah obviously Patreon numbers keep gong up year after year because Patreon didn't use to exist and now it does But when you compare New Media gigs to the boring old traditional gigs that replaced them it's a really obvious net loss
Like unless you're completely up Jack Conte's asshole, no, it isn't better to be able to start a Patreon than to be able to get a writing gig with one of those old traditional publications that are rapidly dying out It's not even close
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