This kind of thing is why the "free culture" movement from when I was in college was so utterly unsuccessful at winning over the hearts and minds of the vast majority of working artistshttps://twitter.com/JoshuaYJackson/status/1244269783610265605 …
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I’m actually kinda confused about where copyright-owning artists fit into a classical economics framework. I have a feeling the actual answer is “awkwardly.”
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A copyright-owning artist ought not be considered a laborer in the classical sense — they *own* the property, after all. I suspect the publishing industry has somehow forced authors back into something like the classical worker-management relationship.
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