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Ditto musical notation: someone who's never used it can't imagine what's going on in the mind of a composer who has. But also, Lisp does this to how I think about representing data; drum machines do this to how I think about rhythm; probably a Bloomberg terminal qualifies; etc.
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It's hard to appreciate this happening fully. e.g. I notice that "networked note-taking" produces a sort of consciousness I'd not quite recognize a few years ago. How alien would a 1950's "tech" person find my typical working mental states? Could go either way, really—not sure.
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(I notice that I find the mental states of "extremely-online Zoomers who spend all day hanging out in Discord doing meme engineering" quite unfathomably alien… which is a real sign of some meaningful social technology being invented/enacted!)
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Reminded of how people can be alienated from their own mental states: a writer can no longer return to a particular moment in mind when their writing is stripped and consolidated to its punctuation. Despite each comma previously being a conscious choice.
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What does your writing look like if you take out everything *but* the punctuation? I made a little web tool that lets you do this -- and see what yours looks like: link.medium.com/yKpJeyhMbkb Go give it a try! (Inspired by @neuroecology's terrific work analyzing novels)
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Hindu/Arabic script is easy, being resident East of Suez, but try and do that mind experiment in Roman numerals... a bit like Greek/Roman Latin - but with no punctuation as we now have. Just way too many I and II never mind III and IIII (or the occasional IV), etc.
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