I have been practicing jazz guitar with for the past few months and seeing my knowledge about chord progressions, potential improvisation patterns accrue over time, while keeping track of the original contexts, has been nothing short of amazing #roamcult
Conversation
Happy to share more with anyone interested but as often with Roam it’s just adding some brackets around elements that I think I’ll encounter in the future
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I'm curious to hear more. Does this affect your listening and composing as well, or just your studies of music theory?
Also, this might be interesting to you:
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I had an idea: interlinking for music for listening, annotating, and composing.
Also, spaced repetition for listening to music.
twitter.com/plantey_tools/
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Happy to be part of the conversation, I looked into your earlier thoughts. I tend to be less methodic with listening. I’ll dive in deep into an artist, say listen only to Miles Davis for one month to internalize the sounds but without any specific work when listening
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However it’s often a musical concept that I’m studying that is leading me to focus on an artist
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Regarding composing: as I’m studying and practicing music theory and different genres (with a focus on jazz and blues), I am developing evergreen notes based on ’s work (Andy, if you have developed a similar model to study piano, I would love to learn from it)
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Way cool, Thomas! I’m a much less serious musician than you—haven't tried applying these ideas to my music practice yet, but I love seeing what you’re doing.



