Conversation

Still spinning from this idea in 's "Making in Public": that when the economics of consumption don't work—e.g. because the product is a public good—a more viable model may exist around the economics of *production*. That is: when might production *be* the product?
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This is a compelling angle for many (especially older) Kickstarter projects: when what you're buying as a backer is not the eventual product, but rather causing the product to be made at all. You're buying its production. The eventual product is like a positive externality.
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Subscription content producers have a similar vibe. Buyers aren't paying to unlock some article's paywall; they're buying into creation of future work. I wonder if this is more compelling if purchases plausibly cause marginal output: "I'll write fulltime when I get X subscribers"
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Nadia observes that sometimes the production "product" being bought is access—feeling closer to the creator, a private community, sneak peeks, behind-the-scenes, etc. My instinct is that this offering can only scale so far, but I'd be curious to learn about counter-examples!
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Replying to
Of course, I don't know what it means to make my production process a product. Patreon still has a "charity" vibe that doesn't seem right. I'm increasingly thinking of it more as "crowdfunding an NSF CAREER grant," which captures the causative angle. Still feels like not enough.
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All this has helped me understand why I feel so adverse to promoting my own Patreon: absent a clear, positive-sum proposition as an offering, the default is that it feels like asking for charity, which in turn feels very inappropriate. Save charity $s for needier causes!
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