Amit Keshavlal

@amit_keshavlal

Calibrates Human Attention Phases with Elemental Musical Structural Linguistics. Reproduces Motion Variables for ‘Human Hands And Structure of Music’.

Mumbai, India
Vrijeme pridruživanja: ožujak 2018.

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  1. Prikvačeni tweet
    23. tra 2018.

    My theory of Musical Human Hands is a common accompaniment mechanism for the Musicians, Composers, Scientists, Machines and Codes. It is ‘a natural linguistics of Musical Fingers in Motion. Let’s teach machines to pedagogize their musical art quotients.

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  2. 2. srp 2019.
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  3. 2. srp 2019.

    Anatomical Keys are redistributable, that means: we can actually play eachother’s styles, and have controlled learning experiences. The application is for observing HUMAN HAND’s POETIC NARRATIVE ABILITY to play differential equals of tonality.

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  4. 2. srp 2019.

    My theory based application is registering individual musician’s musical proprioception. It samples any performed finger scheme as ‘Anatomical Key’ for preserving musician’s performance anatomy.

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  5. 2. srp 2019.

    Now record and reproduce (animate)any performing Hand’s proprioception over piano and other instruments. I am at packaging stage for an open access computer application (academic version) for music theory scholars and researchers. Know more👇

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  6. 24. lip 2019.

    We find extant feminine musical forms in medieval and other contemporary music( in hinterlands, and in communities who have traditional living). Some such universal variable traits are preserved in Lallabies and Elegies.

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  7. 24. lip 2019.

    In this area, instrumental playing anatomies of female finger schemes are the most evidentiary mechanisms, that present linguistical, tonal, modal and rhythmic distinctivity. We may match them with female vocal form ranges and note cluster modulations.

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  8. 24. lip 2019.

    Male and female performers impart different structural analogies to musical narratives. This difference becomes evident when we examine certain performance traits in compositions and performances.

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  9. 22. lip 2019.
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  10. 20. lip 2019.
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  11. 19. lip 2019.
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  12. 18. lip 2019.

    It takes time and patience to re actuate certain extant musicality forms. The need is to remain more with common folks than musicians and researchers. This is representational, performaivity. We must be slow and firm in interpretations,

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  13. 18. lip 2019.

    The process focuses: - segregating compositionality by - examining instrumental hand positions in a performance flow, and then, by - re mimicking common rules observed in tonal and subtonal positions of these musical narratives for building new structures.

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  14. 18. lip 2019.

    Mathematics of Spotting Femininity In Music: Examining immense scope of studying and practising Feminine Musical Contributions, Concpts and Structures in Real World Musicology.

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  15. 18. lip 2019.
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  16. 17. lip 2019.
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  17. 17. lip 2019.

    Requesting your vote to bring to notice of researchers.

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  18. 16. lip 2019.
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  19. 15. lip 2019.
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  20. 15. lip 2019.

    What kind of Musicology Claim is this? : Inference by anything into anything is reproducible at scale - within the domain of musical linguisical analytics (includes method to method inference). This is:

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  21. 4. lip 2019.

    AI stores human musical intelligence quotients

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