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Prikvačeni tweet
My theory of Musical Human Hands is a common accompaniment mechanism for the Musicians, Composers, Scientists, Machines and Codes. It is ‘a natural linguistics of Musical Fingers in Motion. Let’s teach machines to pedagogize their musical art quotients.https://twitter.com/amit_keshavlal/status/981240358888726528 …
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Anatomical Keys are redistributable, that means: we can actually play eachother’s styles, and have controlled learning experiences. The application is for observing HUMAN HAND’s POETIC NARRATIVE ABILITY to play differential equals of tonality.
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My theory based application is registering individual musician’s musical proprioception. It samples any performed finger scheme as ‘Anatomical Key’ for preserving musician’s performance anatomy.
#IndependantResearch#SHSHTHAK#UMAtheoryPrikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Now record and reproduce (animate)any performing Hand’s proprioception over piano and other instruments. I am at packaging stage for an open access computer application (academic version) for music theory scholars and researchers. Know more
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We find extant feminine musical forms in medieval and other contemporary music( in hinterlands, and in communities who have traditional living). Some such universal variable traits are preserved in Lallabies and Elegies.
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In this area, instrumental playing anatomies of female finger schemes are the most evidentiary mechanisms, that present linguistical, tonal, modal and rhythmic distinctivity. We may match them with female vocal form ranges and note cluster modulations.
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Male and female performers impart different structural analogies to musical narratives. This difference becomes evident when we examine certain performance traits in compositions and performances.https://twitter.com/amit_keshavlal/status/1141224258162479104 …
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1 day left for this poll:https://twitter.com/amit_keshavlal/status/1139968597776670720 …
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Please vote for Musicality:https://twitter.com/amit_keshavlal/status/1139968597776670720 …
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It takes time and patience to re actuate certain extant musicality forms. The need is to remain more with common folks than musicians and researchers. This is representational, performaivity. We must be slow and firm in interpretations,
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The process focuses: - segregating compositionality by - examining instrumental hand positions in a performance flow, and then, by - re mimicking common rules observed in tonal and subtonal positions of these musical narratives for building new structures.
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#WomenInMusic#FeminineTechne#MusicalTechne#UMAtheory#SHASHTHAK Mathematics of Spotting Femininity In Music: Examining immense scope of studying and practising Feminine Musical Contributions, Concpts and Structures in Real World Musicology.Prikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
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Is Musicology so powerful? POLL:https://twitter.com/amit_keshavlal/status/1139968597776670720 …
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Requesting your vote to bring to notice of researchers.https://twitter.com/amit_keshavlal/status/1139968597776670720 …
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Theory of everything in motion?https://twitter.com/amit_keshavlal/status/1139968597776670720 …
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Utopian Musicology Poll:https://twitter.com/amit_keshavlal/status/1139968597776670720 …
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What kind of Musicology Claim is this? : Inference by anything into anything is reproducible at scale - within the domain of musical linguisical analytics (includes method to method inference). This is:
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AI stores human musical intelligence quotientshttps://twitter.com/amit_keshavlal/status/1135815519888478208 …
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