You can paint all the 3\4 + rimlight shots you want but if you're trying to engross people, finding the weird, specific light behaviors that makes your subject unique is a great way to challenge yourself and make a more memorable piece.
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I think a lot of "classical paintings" are often artists who got excited at a really specific lighting phenomenon and wanted to capture the context it was in. This piece by Gustave Caillebotte strikes me that way.pic.twitter.com/I774HUCYNn
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I guess this literally describes like all of impressionism
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Joaquin Sorolla knew what was up, check out how he turns form on the sail with bounce light and sky light reflection with minimal value modulation. the dappled light is just frostingpic.twitter.com/tq1G6My6tw
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Specificity creates the reaction of the brain being surprised because "of course that's what it looks like, but I did not expect to see that". It's the small things that separate 95% of experiences that are mundane and forgettable to the 5% that are striking and beautiful.
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Even if the subject itself is mundane.
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To clear up my 3\4 + rimlight shots, that's not meant to be a dig. ESPECIALLY in concept, often the purpose of an image is to describe form for model and texturing, not to entice an audience. But sometimes that logic is applied to images meant to entice, and could be strengthened
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Replying to @Justinoaksford
This whole thread is why I'm paying for all these color theory workshops on schoolism. Essential knowledge that outlives stylistic trends.
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Replying to @celineorelse @Justinoaksford
Which ones have you found helpful?
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Replying to @____ness @Justinoaksford
I think a great place to start is
@NathanFowkesArt landscape painting class, but there are tons of others that ive been watching like a netflix sub. You pay $30 a month to access all of them (i still wanna buy justin's pdf when its ready though)1 reply 0 retweets 1 like
I keep meaning to get a subscription, but the choices of where to start are overwhelming. Thanks for the advice!
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