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To that end, I have to wonder if the perception of the term has changed over the years. As publishing resources for independent developers have become more available, this has naturally resulted in an explosion of popular indie titles, and with that: studio expansion.

For example, @ArrowheadGS started out as a close-knit group of about 5 people. In the intervening years, it's grown by leaps and bounds, to upwards of 65 people. Nevertheless, it's still privately-held, and not beholden to any particular owner other than the founders.

I've had people try to argue that Arrowhead is "not indie", because of our head-count; yet I've experienced a dynamic, a way of working, while working here that I've never seen at any of the many publisher-owned studios I used to grind for.

So to that end, I have to wonder: At what point are a person or persons no longer "indie" developers? Is @ConcernedApe somehow not entitled to that moniker due to the wild success of Stardew Valley, and the ensuing expansion of personnel?

It occurs to me that over the past decade or so, there's been a gradual refinement of what people perceive as "indie", to the extent that people might accuse a successful, but small, group of developers as not being indie "enough", as if it's some modern form of "street cred".

I think one of the pile of meaning associated with indie is "small-scale". Where a small number of people work on one game (because they can't do more) and have multiple hats (because, again, no choice) which, when it works (which is not often) gives very tight, focused games

"Small-scale" in relation to what, exactly? I can't get into the exact specifics of what we're doing where I work - heavens, I wish I could - but from my perspective, we're pulling off a title far beyond what the general gaming public would expect from our studio head-count.

How is a group of 6 people delivering a title with the sort of player experience that most would expect a publisher-owned studio to need 60 people to deliver any different from 60 people delivering an experience that the public would expect a publisher to need 600 to deliver?