My counter-argument is that while it's not possible to ship the Abbey Road reverb chamber in a cartridge, you did the best possible, and the intention of a deeper reverb was there. What's your take, as the original composer?
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@David_Wise Can you humour me with your input on Sam Miller's rework of Cave Dweller Concert?
A friend of mine who did contemporary SNES audio has a gripe about the use of stereo retriggers rather than the SPC's 'crunchy' digital reverb. (cont'd)
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Kiitos. Käytämme tätä aikajanasi parantamiseen. KumoaKumoa
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I'm not sure what you mean by stereo retriggers? The snes reverb is really a digital delay with a long feedback loop - which we kept short to minimise memory use. I used 2 or 3 channels to manually code the repeats - with some use of the snes reverb too.
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I might have gotten it flipped round, that Sam's remake re-triggers samples rather than making use of reverb. Mainly, I was looking for confirmation that you're not fussed either way, and that the original spirit is well alive in the remasters.
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