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a calibrated projector, known screen material, same lighting conditions and at the same distance relative to screen size as you would expect for the central seats of a movie theater. Everything they can control, they will. We're not there in games yet.
This is a very good and underappreciated point. It's also why in MAME we err on the side of giving the user too many knobs to twiddle with our HLSL post-processing pipeline. Do perfectly-calibrated arcade monitors exist? Sure. Were you ever likely to encounter one? Less so.
But there are knowns: The dithering found in Genesis/Megadrive games was specifically because composite NTSC didn't have the bandwidth to accurately represent it, so carefully-selected neighboring luma or chroma values could be used to force more than the normal 9bpp palette.
To this day I'm still proud of the NTSC shader in MAME. In one pass it packs composite samples into RGBA texels at 4x the X resolution, then in the second pass it does an 81-sample-wide FIR filter to extract the Y, I and Q factors back out. With tunable bandwidths for all three.
I think that's a good way to go, as long as the defaults for those knobs are set to what you / an expert would want the result to be. A lot of users don't want to tweak things until they get the perfect result for all games, but are happy with something that looks good for most.
Agreed! Some of the improvements that my colleagues Jezze and Calamity have added over the years have involved tweaking the default 3x3 color matrix away from identity, but it's still a dead ringer for a well-calibrated CRT.
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